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Ludwig van Beethoven was, and remains today, a Legend in the history of classical music. His influence on music is unequalled. Perhaps no other composer in history wrote music of such exhilarating power. No other composer did so against the trials and hardships that he had went through. He beat the odds to become who he was. A
Beethoven was born in Bonn in 1770. His father, a music enthusiast, dreamed of molding his son into the next Mozart. Beethoven never showed the same characteristics that Mozart had shown when he was young, but was unusually talented, learning the piano, organ and violin at an early age. At 14, he was already proficient enough on the organ to receive a professional appointment.
His family life was chaotic, his father was an alcoholic, and his mother died
suddenly when he was only 17. After that tragedy, his situation at home worsened even more, and this condition, combined with support from Haydn, compelled him to leave home in 1790 and travel to Vienna to study composition. In Vienna, Beethoven first studied with Haydn, but eventually became frustrated with that great composer's teaching
methods, moving on to study with other composers. He performed frequently in salons of wealthy nobility, but strangely enough, did not perform in public until he was 25. But from this point onward, both the common folk and the aristocracy of Vienna loved him, so much so that he never had to rely on court appointments or private patrons for his livelihood. He did receive pay from admirers and friends, but he remained independent of the shackles of conditional patronage that frustrated so many of his contemporaries. Beethoven was lucky in one way, he rose to greatness in the musical world at a time when social status were becoming more flexible, and the rising power of the middle class provided him many opportunities for performances of his music for public audiences. This, combined with lucrative publishing arrangements, allowed him to live relatively well. He knew of the benefits of aristocratic support, however; throughout his career, he cultivated a romantic, moody image with the upper class and leveraged this persona to achieve a social status equal to the Viennese nobility. Beethoven was a master symphonist, the master symphonist in the eyes of most musicians and composers. His compositions for orchestra were revolutionary in his day; while he stuck to Classical musical forms, his melodies and orchestration were of such unprecedented power and beauty that they astonished even the most hardened listeners. Only his music achieved the unique combination of primal force and spiritual elevation that remains legendary to this day. In other forms music for solo piano, violin sonatas, string quartets, and one opera, Fidelio, the same qualities prevailed. Always profound, inspiring and essentially tragic, his music defined the limits of human expressiveness in sound.
Early in the 19th century, as his career was reaching its zenith, Beethoven began to realize that he was growing deaf. This sad and frustrating affliction advanced quickly, throwing him into deep depression and making him increasingly unable to conduct and perform his works. He shortened his public appearances and communication, eventually resorting to a notebook to communicate with his inner circle of friends and colleagues. His desperately agitated mind began to produce music that alarmed and terrified his peers. By 1820 he was completely deaf, and he had become a recluse.
Beethoven was a fascinating composer for so many reasons; among them the method with which he composed. Unlike Mozart, he did not write completed works in his head he slaved over each composition, filling innumerable sketchbooks with his struggles to produce perfection. For this reason, combined with his lifelong policy of taking only the best commissions, he was far less prolific than Mozart. Regardless, the music he did leave us, from solo to chamber to orchestral works, is the most substantial and profoundly moving expression we may ever hear.
Word Count: 655
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